{"id":1268,"date":"2026-07-02T16:51:57","date_gmt":"2026-07-02T16:51:57","guid":{"rendered":"https:\/\/francephotobook.fr\/jr-new-york-copy\/"},"modified":"2026-07-03T09:07:03","modified_gmt":"2026-07-03T09:07:03","slug":"james-barnor-the-roadmaker","status":"publish","type":"post","link":"https:\/\/francephotobook.fr\/en\/james-barnor-the-roadmaker\/","title":{"rendered":"James Barnor, The Roadmaker"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":25,"featured_media":1270,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[39,18],"tags":[],"class_list":["post-1268","post","type-post","status-publish","has-post-thumbnail","hentry","category-maison-c-f","category-livre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>France PhotoBook | James Barnor, The Roadmaker<\/title>\n<meta name=\"description\" content=\"Faisant \u00e9cho au livre de la dramaturge Efua Sutherland et du photographe Willis E. 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: JR<br \/>Texte : Damarice Amao<br \/>Langues : Francais, Anglais<br \/>\\u00c9dit\\u00e9 par Maison CF<\/p>\",\"isOpen\":false},{\"title\":\"<p>informations<\/p>\",\"content\":\"<p>Format : 30.7 x 28.1 x 1.5\\u00a0cm<br \/>Pages : 64<br \/>Parution : Mai 2021<br \/>ISBN : 979-10-96575-21-3<br \/>Prix : 40 \\u20ac<\/p>\",\"isOpen\":true}]},\"cont\":\"\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":17,\"row\":0,\"spaceabove\":0,\"spacebelow\":1,\"type\":\"accordion\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"middle\",\"col\":0,\"colspan\":3,\"cont\":\"<p><a class=\\\"laybutton3 laybutton\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/maisoncf.fr\/fr\/products\/the-roadmaker-james-barnor\/?Title=Default+Title\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">acheter le livre<\/a><\/p>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":15,\"row\":1,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"text\",\"yvel\":1}],\"offsetx\":0,\"offsetxMu\":\"px\",\"offsety\":0,\"offsetyMu\":\"px\",\"push\":1,\"relid\":16,\"row\":3,\"spaceabove\":0,\"spacebelow\":0,\"spaceleft\":0,\"spaceright\":0,\"type\":\"stack\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"classes\":\"livre-text\",\"col\":4,\"colspan\":4,\"cont\":\"<h2>\\u00c0 propos du livre<\/h2><p>Ce livre s\\u2019attache \\u00e0 montrer, \\u00e0 partir d\\u2019un corpus d\\u2019images r\\u00e9alis\\u00e9es dans les ann\\u00e9es 1950-1980 entre l\\u2019Angleterre et le Ghana, le travail d\\u2019un photographe qui a accompagn\\u00e9 les mutations de deux soci\\u00e9t\\u00e9s de son \\u00e9poque. Pr\\u00e9fac\\u00e9 par l\\u2019historienne de la photographie Damarice Amao, cet ouvrage aborde l\\u2019\\u0153uvre photographique de Barnor dans son ensemble et propose un \\u00e9clairage sur la notion d\\u2019afro-modernit\\u00e9.<br \/><br \/>Docteure en histoire de l\\u2019art, Damarice Amao est assistante de conservation au Cabinet de la photographie du MNAM-Centre Pompidou. Elle a \\u00e9t\\u00e9 co-commissaire des expositions \\u00ab Eli Lotar \\u00bb (Jeu de Paume, 2017),\\u00a0\\u00ab Photographie, arme de classe \\u00bb\\u00a0(Centre Pompidou, 2018) et\\u00a0\\u00ab Dora Maar \\u00bb\\u00a0(2019), et a codirig\\u00e9 les catalogues les accompagnant. En 2020, elle a obtenu la bourse curatoriale des Rencontres d\\u2019Arles pour son projet\\u00a0\\u00ab Ghana : portraits. 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