{"id":1188,"date":"2026-06-29T10:32:36","date_gmt":"2026-06-29T10:32:36","guid":{"rendered":"https:\/\/francephotobook.fr\/denis-dailleux-les-gens-de-mon-village-copy\/"},"modified":"2026-06-29T14:33:47","modified_gmt":"2026-06-29T14:33:47","slug":"ariel-kenig-bruno-cordonnier-danser-paris","status":"publish","type":"post","link":"https:\/\/francephotobook.fr\/en\/ariel-kenig-bruno-cordonnier-danser-paris\/","title":{"rendered":"Ariel Kenig, Bruno Cordonnier, Danser Paris"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":1191,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[37,18],"tags":[],"class_list":["post-1188","post","type-post","status-publish","has-post-thumbnail","hentry","category-le-bec-en-l-air","category-livre"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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: Bruno Cordonnier<br \/>Textes : Ariel Kenig<\/p><p>Conception graphique : Le Bec en l'air\\u00a0<\/p>\",\"isOpen\":true},{\"title\":\"<p>informations<\/p>\",\"content\":\"<p>21,4 \\u00d7 30,5 cm, 112 pages<br \/>Couverture cartonn\\u00e9e<br \/><br \/>74 photographies en noir et blanc<br \/>Texte fran\\u00e7ais<br \/>\\u00c9dition limit\\u00e9e et standard<br \/><br \/>Parution : 2025<br \/>ISBN 978-2-36744-200-6<br \/><br \/>Prix : 28 \\u20ac<\/p>\",\"isOpen\":false},{\"title\":\"<p>impression<\/p>\",\"content\":\"<p>Faenza Printing Spa, Italie<\/p>\",\"isOpen\":false}]},\"cont\":\"\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":17,\"row\":0,\"spaceabove\":0,\"spacebelow\":1,\"type\":\"accordion\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"middle\",\"col\":0,\"colspan\":3,\"cont\":\"<p><a class=\\\"laybutton3 laybutton\\\" rel=\\\"noopener\\\" href=\\\"https:\/\/www.becair.com\/produit\/danser-paris\/\\\" target=\\\"_blank\\\" data-id=\\\"0\\\">acheter le livre<\/a><\/p>\",\"offsetx\":0,\"offsety\":0,\"push\":0,\"relid\":15,\"row\":1,\"spaceabove\":0,\"spacebelow\":0,\"type\":\"text\",\"yvel\":1}],\"offsetx\":0,\"offsetxMu\":\"px\",\"offsety\":0,\"offsetyMu\":\"px\",\"push\":1,\"relid\":16,\"row\":3,\"spaceabove\":0,\"spacebelow\":0,\"spaceleft\":0,\"spaceright\":0,\"type\":\"stack\",\"yvel\":1},{\"absolute_position\":false,\"align\":\"top\",\"classes\":\"livre-text\",\"col\":4,\"colspan\":4,\"cont\":\"<p>Un livre qui ressuscite l\\u2019effervescence des nuits parisiennes des ann\\u00e9es 1990, entre libert\\u00e9 insouciante et ombre grandissante du sida.<\/p><p>Comme de nombreux photographes, Bruno Cordonnier replonge dans ses archives en 2020 \\u00e0 la faveur du confinement. Il y red\\u00e9couvre un millier de planches-contacts immortalisant en noir et blanc quelques ann\\u00e9es de sa vie, entre 1986 et 1994, alors qu\\u2019il travaillait la nuit comme tireur dans un grand labo parisien. Paris vibre alors d\\u2019une ambiance de f\\u00eate. C\\u2019est la grande \\u00e9poque des night-clubs et des bo\\u00eetes de nuit, qui lib\\u00e8rent les m\\u0153urs et d\\u00e9cha\\u00eenent les corps, attirant aussi bien des c\\u00e9l\\u00e9brit\\u00e9s que des anonymes, des artistes, des stars, des intellectuels ou des noctambules. Ouverts en 1978, le Palace et les Bains Douches sont c\\u00e9l\\u00e8bres pour leurs soir\\u00e9es extravagantes et leur client\\u00e8le \\u00e9clectique, o\\u00f9 la sc\\u00e8ne musicale croise celle la mode et de la publicit\\u00e9, cr\\u00e9ant de nouvelles sensations visuelles faites de d\\u00e9cors \\u00e0 paillettes, de boules \\u00e0 facettes et autres lasers. Mais derri\\u00e8re cette effervescence joyeuse, l\\u2019\\u00e9pid\\u00e9mie de sida gagne du terrain, frappant en premier lieu la communaut\\u00e9 gay et les toxicomanes.<\/p><p>Quelques visages c\\u00e9l\\u00e8bres apparaissent au d\\u00e9tour d\\u2019une photo, mais ce qui int\\u00e9resse Bruno Cordonnier, on le sent, c\\u2019est la mixit\\u00e9 sociale propre \\u00e0 la nuit, estompant les diff\\u00e9rences d\\u2019origines et de classes. Sa proximit\\u00e9 avec les danseurs, qui \\u00e0 la fois jouent avec son objectif et semblent s\\u2019en moquer \\u00e9perdument, lui permet d\\u2019\\u00eatre au plus pr\\u00e8s des corps, de saisir \\u00e0 la fois les enjeux de s\\u00e9duction et l\\u2019incroyable libert\\u00e9 qui se d\\u00e9gage de cette p\\u00e9riode. V\\u00eatements, coiffures, maquillages, accessoires, tout concourt \\u00e0 la fabrication d\\u2019une gigantesque sc\\u00e8ne th\\u00e9\\u00e2trale o\\u00f9 se c\\u00f4toient drag-queens et looks extravagants, noy\\u00e9s sous la mousse qui fait son apparition.<\/p><p>Plonger aujourd\\u2019hui dans ces images nous ram\\u00e8ne \\u00e0 sonder l\\u2019essence de la danse et son pouvoir transgressif. Comme si dans l\\u2019extase qu\\u2019autorisaient ces temples de la nuit s\\u2019exprimait une libert\\u00e9 sexuelle contrari\\u00e9e par le sida. Bruno Cordonnier quitte ce monde h\\u00e9doniste en 1994, rangeant alors comme il le dit \\u00ab ses photos de nuit dans une bo\\u00eete \\u00bb. Trois ans plus tard, son ami Christophe, qui lui avait ouvert les portes de la nuit, sera emport\\u00e9 par le VIH \\u00e0 l\\u2019\\u00e2ge de 33 ans.<\/p><p>Bruno Cordonnier (n\\u00e9 en 1964) et Ariel Kenig (n\\u00e9 en 1983) ont vingt ans d\\u2019\\u00e9cart, ce qui rend encore plus int\\u00e9ressant le regard que porte l\\u2019\\u00e9crivain sur cette p\\u00e9riode r\\u00e9volue, souvent fantasm\\u00e9e par sa g\\u00e9n\\u00e9ration. 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